01 - THE GREAT UNBUNDLING OF MUSIC

Technology Changed
Who Can Build An Audience

Recording no longer requires a major studio. 

Distribution no longer requires a major label.

Audience development no longer requires radio. 

Independent artists can now create, distribute and promote their music globally from a laptop and a phone.

150,000+

Tracks uploaded to streaming platforms every day.

The result isn’t more opportunity, it’s radically more supply – and radically more fragmented attention

02 - A NEW GENERATION OF INDEPENDENT ARTISTS

The tools are In more hands than ever before.

Hundreds of thousands emerging artists in the US are building audiences without a major label.  

OLD MODEL

Few Gatekeepers
Mass Audience

Labels 

Radio

Retail

VS

NEW MODEL

Many Creators
Fragmented Communities

Social Media & Messaging

Digital Streaming Platforms

02 - A NEW GENERATION OF INDEPENDENT ARTISTS

The tools are In more hands than ever before.

Hundreds of thousands emerging artists in the US are building audiences without a major label.  

OLD MODEL

Few Gatekeepers
Mass Audience

Labels 

Radio

Retail

VS

NEW MODEL

Many Creators
Fragmented Communities

Social Media & Messaging

Digital Streaming Platforms

03 - THE AUDIENCE DIDN'T DISAPPEAR, IT FRAGMENTED

The aggregation moved downstream.

The decline of radio and other mass media gatekeepers doesn’t mean that music lost it’s ability to aggregate attention.

Instead of several radio stations reaching a a few million music fans, you now have thousands of of artists each reaching 25k, 100k, 500k, 1M+ highly relevant fans.  

The problem: No one has effectively put those audiences back together for  brands.

153K

Fans

637K

Fans

78K

Fans

236K

Fans

And over 350 thousand  more!

Result:  Millions of fans – Disconnected.

03 - THE AUDIENCE DIDN'T DISAPPEAR, IT FRAGMENTED

The aggregation moved downstream.

The decline of radio and other mass media gatekeepers doesn’t mean that music lost it’s ability to aggregate attention.

Instead of several radio stations reaching a a few million music fans, you now have thousands of of artists each reaching 25k, 100k, 500k, 1M+ highly relevant fans.  

The problem: No one has effectively put those audiences back together for  brands.

153K

Fans

637K

Fans

78K

Fans

236K

Fans

Hundreds  of Thousands More

Result:  Millions of fans – Disconnected.

04 - FROM FRAGMENTATION TO NETWORK

Artists built the audiences. Technology fragmented them. Signl connects them.

Artists

Independent Reach – Powerful Audiences

Brands

Scale, Relevance, and measurable outcomes.

05 - FROM AUDIENCES TO COMMUNITIES

Success today is about owning relationships - not renting them.

OWN

Build direct relationships across channels you control

ENGAGE

Communicate authentically at scale – social, email, SMS/MMS.

UNDERSTAND

First-party data creates insights most platforms can’t give you.

MONETIZE

Stronger relationships create more value and opprtunity

04 - FROM FRAGMENTATION TO NETWORK

Artists built the audiences. Technology fragmented them. Signl connects them.

Artists

Independent Reach – Powerful Audiences

Brands

Scale, Relevance, and measurable outcomes.

Brands

Scale, Relevance, and measurable outcomes.

06 - Brands need scale.
Artists need opportunity.

The connection creates value for everyone.

BRANDS RECEIVE

music fans at a concert

ARTISTS RECEIVE

The Future of Artist Monetization Is Fan-First

07 - The Future Belongs To Networks

The next generation of music infrastructure won’t be built around controlling artists, it will be built around connecting them. 

MORE MUSIC | MORE CONNECTIONS | MORE OPPORTUNITY
THIS IS THE NETWORK EFFECT.

JENNIFER PHELPS

Director, artist success
With deep roots across five record labels (from indie boutiques to major labels including the BMG & Sony joint venture), Jennifer has guided artists from their first chart entry to Grammy stages and Academy Award wins. She’s built the kind of relationships with artists, managers, labels, and publishers that only come from genuinely caring about the music — and the people who make it.
Now, as a driving force behind Music Daily and its artist Collective, Jennifer brings that same firepower to independent and emerging artists. She’s not just opening doors — she’s building new ones.
Her career spans music, film, television, and advertising, with licensing and casting credits for HBO, MTV, NFL Films, MLB.  If you’re ready to be heard,  Jennifer is ready to make it happen.

For more than three decades, I’ve worked at the intersection of music, media, technology, and brand partnerships.

I’ve helped build digital media businesses, created branded entertainment programs, produced livestream events, and worked with artists, labels, broadcasters, and global brands throughout the evolution of the music industry.

Signl, is a platform designed for the next generation of artist marketing.

Independent artists have audiences but often lack the infrastructure to organize fans, activate sponsors, measure campaigns, and build lasting direct relationships. Brands, meanwhile, struggle to efficiently work with dozens of emerging artists while maintaining consistent reporting and execution.

Signl bridges that gap.

“The Dark Side of the Moon cover intrigued me when I  bought it in April 1973.  I was 19 at the time and Pink Floyd was becoming a mainstream success with a growing fan base, myself included.  The mind-blowing music coupled with lyrics exploring themes of alienation, loss, and materialism struck a personal note which echoes within me to this day.”   MA